Spiced Out Calvin Coolidge

16. Love music. An outlet to write about music, because my friends don't care to listen to me ramble on about it

Frank Ocean

Something I wrote for my school newspaper about Frank Ocean. Intended as a primer for an audience that would likely be aware of Odd Future (“Yonkers” had its 15 minutes here) and The Throne but not too much else. Also, an excuse for me to write about “Acura Integurl,” which I just love:

Lonnie Breaux sat on the Def Jam roster for a long time, staying active in his songwriting by writing about a song a day, but never getting anything out to commercial shelves. He joined up with the firebrand Odd Future collective in 2009 and changed his name to Frank Ocean. His career has been on the upward slope since he released the Nostalgia,Ultra mixtape early last year. On it, he sings over Coldplay, talks about Radiohead in interludes, meets the girl in his minor radio hit (“Novacane”) at Coachella, and even redoes “Hotel California” (which, admittedly, I hate).

 

Last year he landed high profile appearances on Ye-Z’s Watch the Throne, wrote a song for Beyonce’s 4, and sang hooks on the two biggest Odd Future projects (Tyler, the Creator’s Goblin and Mellowhype’s Blackenedwhite). That’s about as amazing a first year as one could hope for, singing on the year’s biggest event album (say what you will about its quality), wrote on one of the year’s biggest R&B albums, and worked with Odd Future, who voiced young rebellion and were the subject of countless pieces by music critics. He’s already had some minor hits with “Novacane” and “Swim Good,” both off of Nostalgia, which Def Jam reissued as an EP in the summer(fortunately lacking that Eagles garbage), but his buzz is still growing. In this upcoming year I expect he’ll write for the who’s who of R&B and quite likely release his major label debut album. He’s paved the way for radio success with his high-profile appearances and minor radio hits, so he should really blow this year if he makes the push.

 

If the Odd Future connection sounds alarm bells, don’t worry. Whether you love or hate Tyler, the Creator, Frank Ocean is absolutely worth a listen. He’s not about shock value, he’s not very profane, and he’s not looking to incite any riots (whether all of those are a good or bad thing to you). What he has in common with all of the members of the collective is an uncontrived quirkiness and fresh, new talent.

 

Nostalgia,Ultra, the mixtape, is the place to start (link: http://hulkshare.com/call8oe58j1a). It gives a pretty good overview and features his two singles as well as songs over recognizable instrumentals (“Strawberry Swing” by Coldplay, “Electric Feel” by MGMT, Mr. Hudson’s “There Will Be Tears,” and the aforementioned Eagles song). There isn’t much other material to listen to. He put out a 60-song dumping ground of old material from his shelved Def Jam days called The Lonnie Breaux Collection after the name he was originally signed under. Truthfully, I haven’t made it all the way through it yet. It’s a little uneven and sounds very little like the man on Nostalgia; its lyrics, production, and subject matter are in a much more traditional R&B vein.

 

That being said, it does feature my favorite Frank Ocean song: “Acura Integurl.” The song originally surfaced half-finished, posted with a slick video clip. Apparently due to popular request he finished the song and has performed it live a couple times. I haven’t heard the whole song, but I’ve played the haunting, beautiful 1:57-long snippet from the video clip (and The Lonnie Breaux Collection) probably 50+ times. The lyrics show the sort of hard-worked-at songwriting voice that he honed through his years of writing songs on the shelf. Ocean begins the song with his girlfriend rapping along with “Stuntin’ Like My Daddy,” before remarking “never thought I’d make a Weezy fan out of you, too.” Relationships touch people, change their tastes, make them see new things in the world. She started with “Thom” Yorke from Radiohead, “Chris Martin, and U2” and he came from the Southern gangsta rap world of “Three 6” Mafia, “Pimp C” and “Bun B” of UGK, and 8Ball & MJG. By giving all of that context, Ocean packs the opening line of “bitch I’m paid, that’s all I gotta say” with such a story, such emotion, that it makes me get a little teary-eyed writing about it. You’ll find a link to the video for the song, a beautifully shot, wistful video, along with links to videos for “Novacane” and “Swim Good,” below.

“Acura Integurl” 

Novacane 

“Swim Good”

This song has been my wake up every morning and stays on repeat throughout my morning routine.

Just another example of Waka bringing it here. I have friends who will wild out to Waka, then qualify it with some dismissive “but he’s not actually good” or act surprised when I genuinely love an album like Flockaveli or mixtape like Kevin DuFlocka Rant.

I don’t think you need to look any further than the start of Waka’s third verse. After a deflating performance by Drake. The opening “Uh,” meant to command force, just sounds feeble and nasal out of Drake’s mouth. Drake is not meant for Lex Lugar productions.

But Waka gets all the attention back in three seconds. “Throwin them stacks, OMG, SMH when I’m on that stage.” Simple, yes. But his delivery is just electrifying. It’s that energy that makes him a hell of a lot better than a more technical or straightforward rapper like Drake. And that’s a really weak note to conclude on, but I’m just starting to have time to write again and I’m just trying to get some stuff down.

I´m hiking the Camino de Santiago right now, a 500 mile pilgrimage route through northern Spain right now. It´s funny, my first week on the trip I got 3 new Tumblr followers. So just an excuse for why I´m not posting. You know, blog stuff.

I slept on this for a long time. It’s long, so it just ended up forever getting pushed back in my queue of media to digest. But man, was it worth watching. Mannie Fresh is one of the most interesting and talented people in rap.

Anonymous asked: whats your favorite greg dulli song?

I feel like I should have something obscure, being such a fan, but probably “What Jail Is Like.” It holds a special place in my heart, I remember how much I enjoyed Gentlemen when I heard it, but it was the feedback-washed piano intro that really hooked me.

Not the question, but my favorite Twilight Singers song is still “Bonnie Brae,” although “On the Corner” or “Get Lucky” are recent contenders, from Dynamite Steps. The former has that great Dulli way of kicking into high gear and also has a bridge that reminds me of The Hold Steady more than the Afghan Whigs (which makes it more interesting). I just can’t resist those swung 16ths on the bass drum in “Get Lucky” and it is ridiculously dark, which I like.

sonraw:

Hodgy Beats keeps getting better as a rapper but they’re not doing themselves any favors with this video. Never go for a Tyler meets Korn aesthetic if you want to downplay the whole horrorcore angle.

Exactly my thoughts on this song/video.

Mellowhype are making some of the best music of the OF camp. It’s a shame that everyone I know (Odd Future spread through my class earlier this year mostly through the “Yonkers” and “Earl” videos) only listens to Tyler (and not even anymore, boy his buzz faded fast) and doesn’t check anything else in OF besides the occasional Earl listener. They’re missing out.

I laugh every time at “you still fly kites daily” as a diss.

Also, “catch me in my Mercedes, bumpin’ ‘Ice Ice Baby,’ screaming ‘Shady til’ I die’” sounds like the beginning of one of those old radio freestyles he used to do when his buzz was just starting to bubble up (for The Wake Up Show or Sway & Tech). Then he has to throw in an overly-literal “like a fucking pair of dice” at the end. Oh well.

spaceagehustle:

Squadda B- I Miss Yall (prod. by Friendzone) (from Miss Yall/Focus EP, 2011)

I’m totally biased but this is a top 10 track of the year for me. Beautiful beat and some intensely personal lyrics from Squadda. Give it a listen. I didn’t even like this track at first but now I can’t stop listening to it.

-Flex

SAH holds it down. I know I can always get the best Main Attrakionz stuff there. This song is absolutely amazing. The beat is one of the best I’ve heard from the camp, which is saying something. It’s got the airy qualities of many of my favorite Squadda beats, but it almost feels more grounded and traditional than a lot of others.

Also, SAH has turned me on to a lot of Memphis rap in the last few weeks, which I’m quite thankful for, but more on that later.

When midwestgangstaboxframecadillacmuzik first dropped, “Womb 2 the Tomb” got the most burn. Every time after it would end it’d go to the next song on the album, “County Bounce.” After awhile, this song grew on me and it’s pretty much always in the rotation.

This is by far my favorite Afghan Whigs/Greg Dulli song.

The feedback-heavy guitar and piano start off the song in a delicate balance. The piano plays a pretty (minor) melody, but the feedbacky, buzzsaw guitar reflect a darkness beneath the surface. The feedback pulls back but slowly creeps back in throughout the verse before the song explodes going into the chorus.

Dulli is one of the most expressive singers in all of rock music, it makes sense that he is so heavily influenced by soul music. Kurt Cobain was his only contemporary putting that much heart and soul into his music.

There’s a unwavering darkness in Dulli’s music. Rarely is there a moment of sunshine, a nice bridge or a twist in the narrative at the end of a song that ends it on a lighter note. He writes as someone aware of his greasiness, his creepiness, his problems, but is so far down that road that he can’t turn back. The narrator on songs like “When We Two Parted,” another great song off of the masterpiece Gentlemen album, is very self aware. He sees himself draining the life out of his wife but refuses to do anything about it, he has resigned himself to this fact.

Dulli’s still one of the most interesting voices around. The Twilight Singers album from this year is the best album of that band and my favorite album from 2011 so far.